R studio review
![r studio review r studio review](https://gramfile.com/wp-content/uploads/2018/10/R-Studio-Review-550x300.png)
The other big thing is the wide sweet spot. There, the strength is the super-sensitive AMT tweeter, which acts like a ribbon and gives you that very airy, super accurate high end. It’s very accurate, and you get much more low end than you might expect from a 6.5-inch woofer (the S6) - and the 8-inch woofer (S8) has huge bass but tight and clear, not muddy. I also have been very impressed with the Sceptre’s low-end reproduction. You can throw a lot of power at these speakers, and they do not break up, they just stop getting louder when at maximum level. This is the same technology (in fact, the same coaxial drivers) found in StudioLive AI-series PA speakers. It takes serious DSP to do this stuff, and PreSonus has managed to make it affordable. The crossover point is inaudible, and the biggest thing to me is that the imaging is incredible. Gunness does some very specialized DSP (Temporal Equalization, or TQ, technology) to overcome the usual problems with coaxials, and the results are pretty spectacular. Coaxial designs offer the advantages of a single point source for a consistent acoustic center and a symmetrical dispersion pattern but until time-based DSP became affordable, designing coaxial systems without a variety of acoustic anomalies has been extremely expensive. The Sceptres are coaxial, codesigned with Fulcrum Acoustic coaxial guru Dave Gunness. We now have four lines, each with a different technology. Quote: The key thing here is that the speakers use entirely different technologies. While they’re certainly not cheap, they’re reasonably priced for the quality you get. What’s more, the generous input and EQ options, and the HP filter for adding a subwoofer, increase the monitors’ utility. The R80s are the first speakers I’ve used with AMT tweeters, and I’m very impressed. They’re comfortable to listen to, and they have a smooth sound and an even frequency response. I have grown quite fond of the R80s ($499 each) in my four or so weeks of using them. Even with the speakers only about five feet apart, I still got a nice wide stereo spread. I used the R80s in mix sessions and didn’t find them in the slightest bit fatiguing, thanks to the AMT tweeters. The high-end was clear and detailed without being harsh. The transitions between low, mid, and high frequencies were seamless, and everything sounded very natural. One of the things that really impressed me was how smooth the R80’s response was.
![r studio review r studio review](https://i.ytimg.com/vi/ApVEcfpcLBo/maxresdefault.jpg)
If I were mixing electronic dance music or hip hop, it might be a different story, as there certainly is more territory below 40 Hz that can impact a dance mix, in particular. For the kind of music I generally mix, acoustic, bluegrass, rock, blues and country, I wouldn’t feel the need to add a subwoofer. Upright bass was nicely reproduced as well. I could hear the lower parts of the kick drum and bass. The speakers provided good low-end detail (they go down to 40 Hz) without being boomy. You can adjust it to boost by +1 dB or cut by –1.5 dB or –4 dB.įinally, a high-pass filter is included so that you can adjust the low end to the crossover frequency of a subwoofer if you add one to the system. Each monitor is bi-amplified, with a 100W RMS going to the woofer and 50W RMS to the AMT tweeter. It affects the signal from 2 kHz and higher. It allows you to tailor the response of the high-frequency driver. When engaged, it cuts frequencies from 250 Hz and below by your choice of –1.5 dB, –3 dB, or –6 dB. The first, Acoustic Space, is designed for reducing bass boost that can occur when monitors are placed close to walls or corners. The back panel offers three adjustable EQ options for tailoring the monitors to your room. I’d actually like to see a couple of more detents in the range, to give you more level choices that you know are balanced between the speakers. That way, you have three options Max, Min, and the center, where you can be sure both speakers’ levels are evenly set.
![r studio review r studio review](https://i0.wp.com/allpcworlds.com/wp-content/uploads/2022/02/R-Studio-Network-Edition-9.0-Free-Download.png)
![r studio review r studio review](https://www.cleverfiles.com/howto/wp-content/uploads/2021/10/finalize-recovery.jpg)
I was glad to see that it has a center detent. A level knob is included that lets you adjust the loudness from Min to Max settings. I used the XLR inputs, but it’s handy to have such a wide choice. First, you can choose from three input formats: balanced XLR, balanced TRS 1/4” or unbalanced RCA. The back of the monitors offer quite a few options.